Related Paintings of unknow artist :. | napoleon efter en malning av antoine jean gros | The illusion of youth | Chinese Laundry | Philip IV in Brown and Silver | Brussels tapestry |
Related Artists:
ROSSELLINO, Bernardo
Italian sculptor Florentine school (b. 1409, Settignano, d. 1464, Firenze).Italian architect and sculptor. Influenced by Donatello, Filippo Brunelleschi, and Luca Della Robbia, he developed a moderately Classical style. His tomb for Leonardo Bruni (1444 C 50) in Santa Croce, Florence, was one of the greatest achievements of early Renaissance sculpture and inaugurated a new type of sepulchral monument. Its fine balance between sculpture and architecture, figure and decoration, made it the prototypical niche tomb of its time. He also designed the apse of St. Peter's Basilica and the cathedral and Piccolomini Palace in Pienza (1460 ?C 64). He presumably trained his brother Antonio (1427 ?C 79), who regularly assisted him.
Simon Dequoy
Simon Dequoy (1655-1727)
MICHELI Parrasio
Italian painter, Venetian school (before 1516 - 1578) Italian painter and draughtsman. The natural son of a Venetian aristocrat, Salvador Michiel, he pursued his early training in the workshop of Titian and later in his career was associated with Paolo Veronese, who provided him with drawings for his paintings. He is known to have been in Rome before 1547. Micheli's earliest work is an altarpiece depicting the Virgin and Child with SS Lorenzo and Ursula (1535; Murano, S Pietro Martire), which was commissioned by Ursula Pasqualigo in memory of her deceased husband, the former Procurator Lorenzo Pasqualigo. There is also a Venus and Cupid (c. 1547; London, priv. col.) and a Lucrezia (c. 1547; London, Mond col.). In 1550 he married the daughter of a German baker. Several documented paintings have been destroyed or are untraced: the painting of Doge Lorenzo Priuli Accompanied by Ten Senators with Personifications of Fortune and Venice (1563), for which he received 225 ducats, was destroyed in the fire in the Doge's Palace of 1574. The work is known from a preparatory study (Berlin, Kupferstichkab.) and a contract of 22 October 1563. Five paintings known to have been in the Libreria Marciana that same year are also untraced. The large painting depicting the Adoration of the Dead Christ (Venice, S Giuseppe), signed and dated parrhasio Micheli dipinse nel 1573, includes a self-portrait. Micheli also painted portraits of Venetian noblemen (e.g. Girolamo Zane, Venice, Accademia; Tommaso Contarini, Venice, Doge's Palace) and associated with prominent men of letters including Paolo Giovio and Pietro Aretino.